Hituup said:
B.I.G dropped 2 LP's only and left so much to be desired. He has no body of work. That's what I meant to put. It's obvious that Biggie is not better than Jay-Z.
And I disagree with you, no matter how you put it, LAD was a classic as well as all the other albums you've tried to denounce as classics.
I’m glad you concur with me, although I never expressly stated Jay Z is / was better than Biggie, I merely asserted that if one was to have a logical discussion about comparability between the two it should be a pre requisite that the catalogues of both rappers are taken into consideration.
Hituup said:
I don't quite remember saying that the Biggie & Jay-Z sell records due to their region. I said the reason Jay-Z & Biggie are held in such high regards today is due to their region. If you don't live in the NY area, you won't know what I'm speaking of. NY started hip hop, so yes they have a big influence when it comes to the best mc's. If you live in the NY area, you have dj's such as funk flex & mister cee repeatedly playing their music back to back as if they are the only artists. And this was almost everyday. They try to brainwash the listeners into thinking that nobody is beyond those 2 artists. When Jay-Z sold out MSG Garden, it was announced on NY radio as if he was the new president of the United States. And when it comes to B.I.G., you have Funk Flex & Mister Cee saying things like, "The Notorious B.I.G. is the greatest of all time and I don't care what anybody says, nobody dead or alive can touch B.I.G.". So please don't come up here and put words in my mouth. If you want to sound intelligent and be an English teacher, do so, but don't make a fool out of yourself. I never once said anything regarding their albums and record sells. Learn how to analyze the correct way.
Once again I believe you have misinterpreted the point I was attempting to make. One need only look at the popularity of the South to demonstrate regions assist rappers to flourish all the time, if you venture to
St. Louis a large proportion of dj’s in the locale will be firm proponents of
Nelly in the same way that
Virginia will always support
Missy / Pharrell Williams etc..
you consistently refer to ‘NY radio’ as if it is some kind of authoritarian voice on Hip Hop and acts in a cult like way to indoctrinate vulnerable hip hop fans...in reality Biggie and Jay Z are held in high regard by the majority of mainstream rap connoisseurs the world over. The fact they hail from New York, the birthplace of the cultural revolution known as hip hop is irrelevant to the regard they are held in.
Before accusing me of attempting to sound like a teacher, perhaps it would be advantageous on your behalf to stop arrogantly informing prospective thread contributers you will ’school them’ before even listening to their points.
Hituup said:
To say that what I'm assuming is obtuse is absolutely obtuse on your behalf to come up here and say that. You said "Based on nothing but the hearsay of 2pac fans". Go listen to the 2pac & Biggie interviews before they passed. B.I.G's concept for his 1st album was a concept that was originally from 2Pac's original MATW's album, but you wouldn't know that because you speak out from your rear end.
Very intellectual articulation but it might be embarrassing for you to learn that the concept of B.I.G’s album isn’t original regardless of where he derived the idea from I.e-
NY freshness (1988) incidentally they were from Brooklyn. Oh dear.
Hituup said:
2Pac was there when Biggie was making his first album and 2Pac told him the formula to success and Biggie took the formula and created Big Poppa" B.I.G. himself never even denied this. In fact, Go to MTVnews.com and read the discussion that Sway and the other members at the round table were having and Sway himself makes reference to this.
So B.I.G is successful because 2Pac gave him the secret formula to hip hop achievement? A formula that could not be reciprocated by
the Outlawz, Stretch or any of the hundred other rapper(s) that he shared a closer friendship than Biggie with? Perhaps he also made Biggie a better lyricist than even he? Gave
Puff money to start up
Badboy and single handidly ghost wrote Biggie’s entire catalogue whilst simultaneously beefing with him?…then again perhaps pigs fly and you’ve become a victim of a
Death Row publicist. Chill out on the koolaid.
Hituup said:
When 2Pac was talking about how he influenced Biggie, he was talking in the form of song concepts and album concepts. So what the hell are you talking about? When Biggie was making songs for the streets and trying to have appeal over there, did 2Pac not say "Biggie rap for the b***hes". Did he not switch his style to "Party N Bullshit" to "Big Poppa". Did B.I.G. deny this when asked about this? You tell me who has the misguided perception now?
Apart from the knavish
MATW example you cited earlier, what other concepts did 2Pac give Biggie? More to the point, what original concepts did 2Pac construct during his time as an emcee? Indeed, he might have pioneered a few concepts but he has created very few that did not precede him already. Additionally it might be interesting, if not a little embarrassing for you to learn that in a poll conducted by Hot 97 In February 1999
‘Party N’ Bullshit’ was cited as the one Biggie song with most heterogeneous appeal, but then perhaps that was New York radio attempting to brainwash people again? Eh?
Hituup said:
Once again you are talking about style. Did 2Pac ever say he wrote Biggie's rhymes? 2Pac fathered the man. B.I.G. was calling himself a thug, wearing bandanas, screaming thug life and I wanna be westide all on and around the time of his first lp. One of pac's rhymes-"To all my niggaz in the pen, here we go again, ain't nothing separating us from my mack 10." Biggie's rhyme on "Machine Gun Funk"-"16 shots to my niggas in the pen, until we mtherfucking meet again." Are you telling me that 2pac had no influence on B.I.G.'s writing. And as for concept, where do you think this I'm ready for death-F**k the world-I Need 2 Get Paid-Me & My moms got love and drame- concept of R2D came from. You can't deny that Biggie hanging around 2Pac & Thug Life helped upbring B.I.G. and helped make him who he was and in then turned that same help he received onto Jay-Z. This is what I mean when I say Pac fathered these NY greats.
It would appear you need to develop an understanding of the New York rap scene that preceded both artists. First of all, there is an infrequent amount of juvenile brashness featured on
Ready to die, none of which is attributed by a 2Pac influence since it is perpetrated in a completely dissimilar ethos.
But for a few shadowy examples 2Pac had no influence on the way in which Biggie wrote his rhymes, that much is evident from the technical proficiency present in
Ready To Die; the poetical devices employed and the rhythmic license of delivery.
If your referring to subject matter, up until Ready To Die 2Pac had primarily been a socio political rapper with a rebellious conviction of anti police sentiment, there is very little topic concision prevalent here and furthermore the concepts you highlighted above were all fortified facets in the way many New York rappers had written before 2Pac even dropped his first album let alone MATW, they are ideas / subject matters that were not only prevalent in hip hop but also inherent in black culture way before 2Pac dropped his first album.
Anyone can see that Biggie’s chauvinist, bigoted, graphically narrative, profanity laced and at times shocking raps bared no resemblance to the socially aware well balanced politically minded 2Pac.
Hituup said:
Once again you are stuck on flow and skills. I don't even know if I should address this. First of all, 2Pac ain't a man with one flow, he's a man of many. His flow on Hail Mary wasn't the same flow he was using on Ambitionz Az A Ridah. His Flow on Againsts All Odds & HitemUp was not the same flow he used on Keep Ya Hed Up. The Flow he used on Brenda's Got A Baby was not the same flow he used on Str8 Ballin. His flow on Street Fame was not the same one he used on Shed So Many tearz.
Talk about stating the bleeding obvious…and your point is what? I actually mentioned that it is not difficult to observe how different rap topics, style, delivery, general outlook on life and lyrical proficiency between 2Pac and Biggie /
Jay Z are. Not just flow, but I guess you conveniently forgot to address those points.
Hituup said:
2pac is not the only dead mc. There are plenty of rappers/mc's who are no longer with us. He gets the most recognition because he was obviously special, which you and so many others translate as overrated. This man was around for about 5 years and has done more than some people have done in their whole lifetime. 2Pac was touching people before his death. Ask Eminem. Most people didn't start revealing these things until he died, but he was helping plenty of women and so many people during his lifetime. You seem to think this man died and all of a sudden got fans when the man sold about 7 million copies of his album before his death.
In his death 2Pac has grossed much more than he ever did when he was alive, he has a bigger posthumous fan base than he did whilst he was living. These are cold hard facts, scoff at them as you may. Never once have I insinuated his impact on the culture as a whole is without merit but his body of work is severely overrated.
Hituup said:
So what are you saying? Is 2Pac less of an artists because you claim that his fanbase didn't come until his death. It means that the people caught onto something that they didn't realize was there before. If he stayed alive, I'm sure his fanbase would've been even bigger and we wouldn't even be having this conversation. The man predicted his own death at an early stage, wanted to change the world, starred in movies, was the son of a black panther, born in prison, had the first ever hip hop double album, sold millions of records and changed the landscape of hip hop forever, but yet he's overrated because he's reached a certain height. Why can't you just accept the fact that the man has made a connection with millions of people. It doesn't matter if he had to die before doing so, the point is he's recognized and he gives people chills through his music.
Spare me the Tupac history lesson. Once again you have misinterpreted what I have said, the point I was attempting to make is that the body of work he left behind has benefited from revisionalism,
AEOM and
the 7 Day theory were given below average reviews but yet because in death 2Pac has been emancipated at the martyr of a culture and the poster boy of a music genre, the same magazines that gave those average reviews have labelled them classics. Only because he is 2Pac.
Hituup said:
Wow, Thug Life a below par album. You really showed me your taste in music. Earlier you even said LAD wasn't a classic. It's obvious you have poor taste in music.
So because I don’t revere a 2Pac album that is ruined by a plethora of ghastly guest appearances, slapdash production, tiresome themes, lack of cohesive clarity and creativity, played out rhyme schemes, sloppy delivery and countless other elements of musical ingenuity that makes me have bad taste in music? Or should I just bow down and admit because it’s a 2pac release that makes it an automatic classic regardless of it’s obvious faults?
Perhaps you should set your standards higher because it appears to me that if you label an album like
Thug Life Vol 1 a near classic your pre requisite for identifying a classic album is severely flawed.
Hituup said:
And yes, I feel the need to chastise you for that. Because someone with poor judging skills like you shouldn't even listen to music, yet alone critique it. Anyone that knows hip hop & 2pac's music knows that Thug Life contained some of Pac's greatest songs from Str8 Ballin, Under Pressure, Bury Me A G, Pour Out A Lil Liquour, etc. End of conversation right there. Okay, what else, you don't like Aeom, Matw isn't flawless to you, as if a flawless hip hop lp exists. And now 7 day theory has the same problems aeom has. You are the type of music fan that goes around looking for faults in everything. You don't know how to appreciate good music. Jay-Z said it best-"Do You fools listen to music or do you just skim through it. You have so many judgements, but yet you have never put an album.
Your just a critic, your not a music fan. And no, I don't go according to what any reviews or what anyone says, I go by my own judgements. And when I say certified, I go according to what the people say. I've met 100's-thousand people on the streets and from the internet that have rated all of pac's top 3 albums classics. I actually listen to music. Let me guess your one of those fans that hate the Massacre with a passion also, correct?
50 Cent's The Massacre is generally an abhorrent album and if you view it with any sort of admiration beyond it's three or so above average tracks you really need to readdress how to identify good hip hop in general.
Hituup said:
Even though, you have no real proof that magazines re-rate 2pac albums and give them higher ratings because of who he is, I'll let you believe what you want to believe.
The Source, Vibe and
XXL have all rerated / romanticised
AEOM and
the 7 Day theory to a degree that they never originally gave either album credit for upon it’s original release date.
Hituup said:
So what you're saying about 2Pac albums being re-rated and given a higher score because of who he is now is absurd because I know for sure that plenty of albums have been rerated and given higher ratings. And btw, 7 Day Theory was always seen as a classic according to many reviews and out of all the classic lp's that came out in 1995, MATW was up for a grammy award for best rap or hip hop album. Shows how much you know.
Just because an album is nominated for a grammy this in no way means it is deserving of being called a classic, similarly just because an album is timeless it can still fall short of being a good release. My point has always been that an album should be addressed upon quality alone, not because of who made the album. If we were to take your point of view, every release by any artist who has passed before his / her time and made an impact on a music genre should have their whole catalogue readdressed so that every album they ever made is held in higher regard than it would ever be deserving of had said artist been alive today. Lennon, Holly, Hendrix, Marley, Kobain etc..
Hituup said:
but almost all of his posthumous lp's with the exception of 1 are solid and decent enough to be given the title of classic.
You really have shown yourself to be lacking any sense of non bias hip hop applicable reality / knowledge if you truly believe any posthumous 2Pac release can be considered good, let alone a classic.
Hituup said:
You called UTEOT garbage, but I know plenty of people that'll take that album over other double albums such as "Streets Disciple" & "The BluePrint 2"
Are they sectioned in asylums by any chance?
Hituup said:
Fine. That's your opinion. Imo, Thug Life is his best lp. Imo, S4MN did not pass the test of time to a certain degree even though some of pac's great songs are on that album. I don't think the songs on that album can compare to the material that came after that.
Again it would appear that you only take ‘standing the test of time’ into consideration when coming to address any form of hip hop. There are plenty of non mainstream hip hop albums that have been forgotten about but are classics, had
NaS of fallen into obscurity after he made
Illmatic, I'm convinced that very few people would be aware of that album today which goes to falsify your argument to an extremis.
Hituup said:
Why come on a hip hop message board and try to display yourself as a genious when in reality you are probably just some dirtbag that is hiding in the trenches. No offense, I respect you and all, but this is a hip hop message board. No need to display yourself as a know it all. All you've done is come onto this topic and misquote me. I want you to reread everything I said and you'll see how much of a fool you end up looking.
I find it comedic that I get called a 'fool' by someone who can’t spell the word genius correctly.
Enough said.
Is it a crime to coherently argue a point in a persuasive manner or does everyone have to agree with you? Indeed I have already received feedback from other people on this board who agree with certain points I make because they understand I am not disrespecting 2Pac as individual or his achievements, merely stating that much of his work is overrated and over romanticised.
By calling me a dirt bag it would suggest your antagonised because I don’t agree with you which is very immature and something I’d expect from someone in the fifth grade, it’s the “you don’t like 2Pac, well fuck you prick, you don’t know anything” mentality without actually intellectually elaborating on a foundation for your viewpoint.
Hituup said:
Not to mention, you are one of the most misinformed people I've ever came in contact with over the internet. Not only are you misguided but you have no true knowledge of what you sit on your computer and type. I suggest you do more research. You feel because you write sophisticated that you are an intellect, but I just pulled out your card.
You havent pulled my card in the slightest, I still retain absolute conviction in everything I have said and as far as telling me the reasons why I write about a subject close to my heart….you don’t actually know me and have no basis to form such an assumption…or do you consider yourself a mind reader as well as an elitist authoritarian on all things hip hop?