Why do hip hop fans feel the need to break down every facet of the music and compile them in to out-of-ten scores in order to determine if an album/rapper is good or not?
roaches said:How's CNU? Unless I'm thinking of someone else.
I don't know, those seem like two different things to me. Breaking down the elements of a record and looking at its mechanics analytically is a good way of figuring out what you like or don't like about a record. Numerical ratings are what message board kids do in lieu of an ability to consciously do that or properly articulate that.Why do hip hop fans feel the need to break down every facet of the music and compile them in to out-of-ten scores in order to determine if an album/rapper is good or not?
Option 1 might be "higher budget", but Kurtis Blow, Slick Rick, and Big Daddy Kane? No one commands a stage like those guys do. It IS a hip-hop show, though, so go see whoever's catalog you're more familiar with.Option 1 is to go to a Red & Meth w/Premo show.
Option 2 is to go to both a Big Daddy Kane, Slick Rick and Kurtis Blow "Legends Tour" type show and also a Jean Grae show.
You have enough money for only one, which do you choose?
Yes, I do.Did you know that Alcatraz is actually spelled with a Z?
roaches said:I don't know, those seem like two different things to me. Breaking down the elements of a record and looking at its mechanics analytically is a good way of figuring out what you like or don't like about a record. Numerical ratings are what message board kids do in lieu of an ability to consciously do that or properly articulate that.
"I'm not feeling Talib Kweli. His overusage of bad similes is getting more annoying with the passage of time, and he still hasn't figured out how to write to the beat. Some rappers just rap through the loop and compensate by shortening the next rhyme or rapping a little faster or slower throughout the line to keep their flow, but Kweli tries to cram it all into the last bar of music, and he's been doing it for so long he probably thinks it's dope and part of his signature style. You used to be able to overlook that shit before because of his subject matter and production, but nowadays he's watered down his content to fit in with the mainstream hip-hop audience. As for the beats these days, the beats on this album seem like a haphazard collection of different styles in hopes of eventually pleasing everyone."
vs.
"Talib Kweli's new CD is wack. I rate it:
Track 1: 2/5
Track 2: 3/5
Track 3: 1/5
Track 4: 0/5 (so wack lol)
Track 5: 2/5
Track 6: 2.5/5
Track 7: pi*2/3 / 5
Track 8: square root of 2 / 5
Track 9: 5/5 (best song on the album, he should do the whole thing this style!!)
Track 10: 2/5
Track 11: 3/5
Track 12: 2/5
Track 13: 1/5
Track 14: 3.25/5"
Different things, mayne.
Neither. It was random.did you pick your name because you smoke a lot or is your house infested?
Pretty lame.What is your opinion on DMX's career as a whole?
The same as it means to be a productive member of any society, I guess. Know one of the common foreign languages and respect cultural differences?What does it mean to be a productive member in a global society?
So what would you say is a good way of evaluating the quality of an album, then? Art is subjective, but if that's the end-all be-all... (well, read the reviews of Vanilla Ice's later work on Amazon.com).But even the first scenario... I guess i'm getting sick of analysing albums to the bullshit to decide if it's technically good or not. Most of the time that doesn't even work.
Please do.^I shall up it for you, then?
It's the face of the Virgin Mary. Oh my God, it's sacred. Quick, put it on eBay!What is currently in Dante's Avatar?
Prescription painkillers = heaven. You ain't on MSN or Soulseek no mo.Sup?