One of the finest albums of 2004, no doubt. I just gave this gem its first spin in a long time and I'm surprised how well it's held up. The combination of Dipset's unique brand of gangsterisms and the cross between Blueprint-derived and the Heatmakerz's particular flavors of soul-inspired beats is like fresh buttery milk from a 38 DD. One of the most joyful gangsta rap albums of the 21st century. Another bulls-eye on Roc-a-fella Records' 21st century run of excellent street rap.
The real intro of the album, "More Gangsta Music", evokes the Wu with its prominent featuring of someone who is not Cam'ron just attacking a beat with fly-sounding non sequitirs. "Get Down" and "Killa Cam" are almost Ghostfaceian. "Down and Out", " "Harlem Streets", "Get' em Girls", "The Dope Man", the murderousness of "Take 'em to Church", the inane skits... need I go on?
Nowadays Dipset's legacy seems limited to their influence on Lil' Wayne and the annoying vernacular you an find on certain hip-hop message boards. Today, as we celebrate Pac Day (Summer Edition), let's forget about such trifling things and focus on the positive things this crew did in their time, from punking Bill O'Reilly to their work on the behalf fo of the color pink to the prodigious amounts of quality rap music they put out. This is Harlem's version of Supreme Clientele in more ways than one.
we're the dips
so cut the shit
ma twist your hips
and lick your nips
The real intro of the album, "More Gangsta Music", evokes the Wu with its prominent featuring of someone who is not Cam'ron just attacking a beat with fly-sounding non sequitirs. "Get Down" and "Killa Cam" are almost Ghostfaceian. "Down and Out", " "Harlem Streets", "Get' em Girls", "The Dope Man", the murderousness of "Take 'em to Church", the inane skits... need I go on?
Nowadays Dipset's legacy seems limited to their influence on Lil' Wayne and the annoying vernacular you an find on certain hip-hop message boards. Today, as we celebrate Pac Day (Summer Edition), let's forget about such trifling things and focus on the positive things this crew did in their time, from punking Bill O'Reilly to their work on the behalf fo of the color pink to the prodigious amounts of quality rap music they put out. This is Harlem's version of Supreme Clientele in more ways than one.
we're the dips
so cut the shit
ma twist your hips
and lick your nips