Nothing too special, but thread worthy.
"Pray": American Gangster's first cut, one of several produced by none other than Sean "Diddy" Combs — whom Jay still calls "Puffy," harkening back to days long past when both were members of the late Notorious B.I.G.'s circle. "[The album] starts with a kid looking into the game," Jay explained. The beat slams ominously behind his scene-setting rhymes: "Mindstate of a gangster from the '40s/Meets the business mind of Motown's Berry Gordy."
"No Hook": Another wide-screen Puff production, full of dark organ vibes, and more rhymes from an aspiring kingpin's perspective: "F---rich, let's get wealthy/Who else gon' feed we?" The mood is sneering, hungry, with Jay almost seeming to slip into his long-abandoned double-time flow at times.
"Roc Boys": "That's him at his height," Jay said of his persona in this song. "It's a celebration of the whole s---." Exultant horns burst out on the beat (Puffy again) as the rapper revels in a lifestyle funded by ill-gotten riches: "First of all, I wanna thank my connect/The most important person, with all due respect/...Think rosé/Think O.J./I get away with murder when I sling yey'." (The song also includes a reference to "black bar mitzvahs." Maybe that "L'chaim" was even more significant than I realized.)
"I Know": Hard-hitting percussion and sparkling synths underly this conceptual track about desire's many faces: "I know what you like/I'm your prescription/I'm your physician/I'm your addiction." "I'm using a lot of heroin references," Jay noted as he tried to unpack the song's multi-layered metaphors. "[But] on another level, it plays as a song about relationships. And on a drunk-too-much-wine-one-night level, it plays as the game talking to me. It's f---ing weird — but the music is great." He's not lying.
"Ignorant S---": Web-savvy fans may recall a purposefully outrageous outtake from 2003's The Black Album bearing this name. "It's one of those gems you can't let go," Jay said now. So he dusted it off for Gangster, complete with the unforgettably explicit hook in which he boasts, "I got that ignorant s--- you like/N----, f---, s----, a--, b----, trick, plus ice!" Just call him rap's George Carlin. The song now also features a decidedly non-ignorant new verse in which Jay thoughtfully eviscerates Don Imus and all those who've equated the disgraced shock jock with foul-mouthed rappers — plus some tight guest bars from Jay's longtime protege Beanie Sigel.
"Success": The endorphin rush provided by new money starts to wear off on this cut, produced by Chicago veteran (and Kanye West mentor) No I.D. "I used to give a f---, now I give a f--- less," Jay reflects over a rapidly descending organ riff. "Truth be told, I had more fun when I was piss-poor." Jay's former rival Nas talked him into letting him spit on this track; Nas' verse hasn't been mixed in yet, but Jay promises that "It's hot. He killed it."
"Say Hello to the Bad Guy": Atlanta's DJ Toomp (T.I.'s "What You Know," Kanye West's "Big Brother") contributed this beat, which keeps that darkening mood going with church-like organs.
"When the Money's Gone": The title says it all about this one. Jay raps about the inevitable downfall which befalls even the most successful hustlers; Jermaine Dupri produced the backdrop of shuffling drums and cascading synths.
"Fallen": Another J.D. production, and likely the album's final track. Jay reflects on the perverse pleasure the public takes in seeing a star destroyed: "Fallen/They applaudin'." Neosoul crooner Bilal sings the elegiac hook. It's a cathartic ending to an emotionally gripping album.
Full article here
http://popwatch.ew.com/popwatch/2007/10/jay-z-american-.html
"Pray": American Gangster's first cut, one of several produced by none other than Sean "Diddy" Combs — whom Jay still calls "Puffy," harkening back to days long past when both were members of the late Notorious B.I.G.'s circle. "[The album] starts with a kid looking into the game," Jay explained. The beat slams ominously behind his scene-setting rhymes: "Mindstate of a gangster from the '40s/Meets the business mind of Motown's Berry Gordy."
"No Hook": Another wide-screen Puff production, full of dark organ vibes, and more rhymes from an aspiring kingpin's perspective: "F---rich, let's get wealthy/Who else gon' feed we?" The mood is sneering, hungry, with Jay almost seeming to slip into his long-abandoned double-time flow at times.
"Roc Boys": "That's him at his height," Jay said of his persona in this song. "It's a celebration of the whole s---." Exultant horns burst out on the beat (Puffy again) as the rapper revels in a lifestyle funded by ill-gotten riches: "First of all, I wanna thank my connect/The most important person, with all due respect/...Think rosé/Think O.J./I get away with murder when I sling yey'." (The song also includes a reference to "black bar mitzvahs." Maybe that "L'chaim" was even more significant than I realized.)
"I Know": Hard-hitting percussion and sparkling synths underly this conceptual track about desire's many faces: "I know what you like/I'm your prescription/I'm your physician/I'm your addiction." "I'm using a lot of heroin references," Jay noted as he tried to unpack the song's multi-layered metaphors. "[But] on another level, it plays as a song about relationships. And on a drunk-too-much-wine-one-night level, it plays as the game talking to me. It's f---ing weird — but the music is great." He's not lying.
"Ignorant S---": Web-savvy fans may recall a purposefully outrageous outtake from 2003's The Black Album bearing this name. "It's one of those gems you can't let go," Jay said now. So he dusted it off for Gangster, complete with the unforgettably explicit hook in which he boasts, "I got that ignorant s--- you like/N----, f---, s----, a--, b----, trick, plus ice!" Just call him rap's George Carlin. The song now also features a decidedly non-ignorant new verse in which Jay thoughtfully eviscerates Don Imus and all those who've equated the disgraced shock jock with foul-mouthed rappers — plus some tight guest bars from Jay's longtime protege Beanie Sigel.
"Success": The endorphin rush provided by new money starts to wear off on this cut, produced by Chicago veteran (and Kanye West mentor) No I.D. "I used to give a f---, now I give a f--- less," Jay reflects over a rapidly descending organ riff. "Truth be told, I had more fun when I was piss-poor." Jay's former rival Nas talked him into letting him spit on this track; Nas' verse hasn't been mixed in yet, but Jay promises that "It's hot. He killed it."
"Say Hello to the Bad Guy": Atlanta's DJ Toomp (T.I.'s "What You Know," Kanye West's "Big Brother") contributed this beat, which keeps that darkening mood going with church-like organs.
"When the Money's Gone": The title says it all about this one. Jay raps about the inevitable downfall which befalls even the most successful hustlers; Jermaine Dupri produced the backdrop of shuffling drums and cascading synths.
"Fallen": Another J.D. production, and likely the album's final track. Jay reflects on the perverse pleasure the public takes in seeing a star destroyed: "Fallen/They applaudin'." Neosoul crooner Bilal sings the elegiac hook. It's a cathartic ending to an emotionally gripping album.
Full article here
http://popwatch.ew.com/popwatch/2007/10/jay-z-american-.html
