People who are going to be disappointed due to their high expectations ---
RAISE YOUR MOTHERFUCKING HAND!
Nope, not even a little bit.
People who are going to be disappointed due to their high expectations ---
RAISE YOUR MOTHERFUCKING HAND!

A great interview with Chris Nolan is up at Wired.com which talks about the level of CG effects, or rather lack thereof, in the film. Nolan apparently shot as much as possible for real - one notable exception was a jump off a Hong Kong skyscraper which couldn't be done simply because the Chinese authorities wouldn't allow it.
There's also an interesting interview at The Los Angeles Times with composers James Newton Howard and Hans Zimmer which briefly reviews the theme Zimmer wrote for the Joker - "It's an intense eight-minute piece that comes off like an orchestral interpretation of a something created by Trent Reznor's Nine Inch Nails. Zimmer says the work is only two notes, but the two notes are twisted and manipulated into mimicking the sounds of thunder, razors and all sorts of clatter heard in alleyways probably better left unexplored."
Official tracking figures aren't out yet, but MovieTickets.com has released poll figures saying that 100% of ticket buyers polled were aware of the film's release this summer, compared with 49% of ticket buyers three weeks before "The Incredible Hulk" and 36% of buyers three weeks before "Iron Man."
I got to see "The Dark Knight" at a screening in Los Angeles on Friday and while I can't officially review the film just yet - lets just say that the hype is right, this is a masterpiece.
It really isn't a comic book movie, this feels more like a great Michael Mann movie - literally a film of "Heat" calibre. The sole common complaint is that's it's a few minutes too long, but the story is so tight that it's difficult to see where you could trim anything out of it.
Interest in the film is quickly swelling as well. Though the film is still three weeks out, midnight showings on opening night for "The Dark Knight" have essentially been sold out in many major cities. As of Friday the film has pre-sold eight times as many tickets as "Spider-Man 3" did at the same point in time before its release.
Kevin Smith has posted a brief reaction to a screening he saw on Saturday on his blog saying that "It’s the “Godfather II” of comic book films and three times more earnest than “Batman Begins” (and fuck, was that an earnest film). Easily the most adult comic book film ever made."

It took me a while to settle into the rhythms of THE DARK KNIGHT because it wasn’t anything I expected it to be. Even having seen the prologue on the bigscreen once before, I didn’t get what tone Nolan was going to hit with this film, and as the film’s first act played out, I realized just how far he was willing to go, and it left me nervous, off-balance, exactly the way a film featuring the Joker should. For the first time ever, I felt like anything could happen whenever he would shamble onscreen, looking like something that just crawled out of a wet grave. I’ve always felt that when the Joker makes a joke, he should be the only one who laughs while everyone else is busy cowering in fear or throwing up. Well, looks like Chris and Jonah Nolan feel the same way, because this is a vile tornado of suffering that sweeps through Gotham, a destructive force in clown makeup, his facial scars a mere hint of just how twisted he is inside. He’s not a villain like we normally see in these movies, and he’s not even the Joker we normally see in Batman stories. He’s the film’s grand metaphor, given voice by an actor who vanishes into the role, and he’s only one of the many merits of THE DARK KNIGHT.