I have given several reasons why this album is a classic.
Let me break it down.
Beats - We'll start with the beats. Compare the beats of 1993 to the beats that appear on the Chronic and Doggystyle, (as they are essentially very similar to each other). Those 2 albums wouldn't sound out of place if released today. Can we say that about S4MN by 2pac? What about Wutang, and the 36 chambers? Down with the King by Run DMC? I'm not taking anything away from these albums, but simply looking at the beats which were on these albums. Do any of these albums sound modern now? Are they as fresh now as they were then. Both Chronic and Doggystyle are timeless. The beats are laid-back and funky, continuing to resonate after many listens, but their greatest strength is that they never overshadow the laconic drawl of Snoop, who confirms that he has one of hip-hop's greatest vocal stylists with this record.
Flow - Other gangsta rappers were all about aggression and anger but Snoop takes his time, playing with the flow of his words, giving his rhymes a nearly melodic eloquence. On this album noop is something special, with unpredictable turns of phrase, evocative imagery, and a distinctive, addictive flow. Snoop doesn't just ride the beat, he helps create it, he is an instrument himself.
Lyrics - You say that they are too simple and boring. They are repetitive. I don't agree. I think that Snoop, with Dre's help, presents this album with an imaginative and a narrative thrust.
An example of this can be heard on the 1st verse of "Murder was the case", (I listened to it this morning, ) ...
As I look up at the sky
My mind starts trippin, a tear drops my eye
My body temperature falls
I'm shakin and they breakin tryin to save the Dogg
Pumpin on my chest and I'm screamin
I stop breathin, damn I see deamons
Dear God, I wonder can ya save me
I can't die my Boo-Boo's bout to have my baby
I think it's too late for prayin, hold up
A voice spoke to me and it slowly started sayin
"Bring your lifestyle to me I'll make it better"
How long will I live?
"Eternal life and forever"
And will I be, the G that I was?
"I'll make your life better than you can imagine or even dreamed of
So relax your soul, let me take control
Close your eyes my son"
My eyes are closed
Using wordplay doesn't always improve an album. As I said before it's the delivery, the imagery and the story telling that is what makes the songs interesting. Adding tricks wouldn't enhance it in my opinion.
It may not have had the shock of the new like Chronic did, but it built on top of what Dre created with Chronic.
If you didn't hear it in 1994 though that may be 1 of the reasons why you don't label it a classic. Over the years, the pervasive influence of Chronic and Doggystyle and its countless ripoffs has dulled its innovations, so it doesn't have the appeal that it did at the time of it's launch. At the time the albums were completely different to the other albums being released. But now it seems every album tries to emulate what Dre and Snoop achieved, but without quite understanding that a breakthrough album cannot be achieved by copying someone else's ideas.
Let me break it down.
Beats - We'll start with the beats. Compare the beats of 1993 to the beats that appear on the Chronic and Doggystyle, (as they are essentially very similar to each other). Those 2 albums wouldn't sound out of place if released today. Can we say that about S4MN by 2pac? What about Wutang, and the 36 chambers? Down with the King by Run DMC? I'm not taking anything away from these albums, but simply looking at the beats which were on these albums. Do any of these albums sound modern now? Are they as fresh now as they were then. Both Chronic and Doggystyle are timeless. The beats are laid-back and funky, continuing to resonate after many listens, but their greatest strength is that they never overshadow the laconic drawl of Snoop, who confirms that he has one of hip-hop's greatest vocal stylists with this record.
Flow - Other gangsta rappers were all about aggression and anger but Snoop takes his time, playing with the flow of his words, giving his rhymes a nearly melodic eloquence. On this album noop is something special, with unpredictable turns of phrase, evocative imagery, and a distinctive, addictive flow. Snoop doesn't just ride the beat, he helps create it, he is an instrument himself.
Lyrics - You say that they are too simple and boring. They are repetitive. I don't agree. I think that Snoop, with Dre's help, presents this album with an imaginative and a narrative thrust.
An example of this can be heard on the 1st verse of "Murder was the case", (I listened to it this morning, ) ...
As I look up at the sky
My mind starts trippin, a tear drops my eye
My body temperature falls
I'm shakin and they breakin tryin to save the Dogg
Pumpin on my chest and I'm screamin
I stop breathin, damn I see deamons
Dear God, I wonder can ya save me
I can't die my Boo-Boo's bout to have my baby
I think it's too late for prayin, hold up
A voice spoke to me and it slowly started sayin
"Bring your lifestyle to me I'll make it better"
How long will I live?
"Eternal life and forever"
And will I be, the G that I was?
"I'll make your life better than you can imagine or even dreamed of
So relax your soul, let me take control
Close your eyes my son"
My eyes are closed
Using wordplay doesn't always improve an album. As I said before it's the delivery, the imagery and the story telling that is what makes the songs interesting. Adding tricks wouldn't enhance it in my opinion.
It may not have had the shock of the new like Chronic did, but it built on top of what Dre created with Chronic.
If you didn't hear it in 1994 though that may be 1 of the reasons why you don't label it a classic. Over the years, the pervasive influence of Chronic and Doggystyle and its countless ripoffs has dulled its innovations, so it doesn't have the appeal that it did at the time of it's launch. At the time the albums were completely different to the other albums being released. But now it seems every album tries to emulate what Dre and Snoop achieved, but without quite understanding that a breakthrough album cannot be achieved by copying someone else's ideas.