here is it.. exclusive! enjoy this shit instead of the weak ass retail version of the song
http://rapidshare.de/files/5154920/And_2Morrow_OG.mp3.html
1 Luv
http://rapidshare.de/files/5154920/And_2Morrow_OG.mp3.html
1 Luv
Dante said:i was just upping this myself... i'll drop some knowldege in a minute
psychol1982 said:Candyman is the only person who raps in the song, right? If it's him, than I have to say that I like his style
Dante said:this track right here represents everything that is destroying 2pac's legacy...
ask yourself who has creative control of amaru endorsed retail projects? for those who didn't know, it's none other than my avatar, big malk aka edi. likewise, the outlawz have continually dismissed candyman and even storm as illegit or otherwise not down for pac's [new] music. well, as many of you relaized this year, storm never left "to start a family" or whatever reasons that were perpetrated by the outlawz throughout the years as justification for her removal and lack of new verses on remixed songs. likewise, the outlawz have major beef with candyman and refuse to work with the man. for fans who question candyman's legitimacy, his work and touring with shock g (arguably the main man who is standing up to try to preserve the legacy as pac wanted it), digital underground, ms. fula, and storm should fulfill whatever resume that would qualify him as someone worthy of respect.
so as it pertains to this track, this version that is posted in this thread is indeed the version that was submitted and approved for retail release. just like the editing on uteot, shock and candyman were not notified of changes to their work, and subsequently candyman and the 2pac scratches (which are incredibly dope) were removed for the retail release version. this is all over petty beef and the feelings of inadequacy by those in control (see above) and the fear that someone else (candyman) will be stepping up to represent the principles and artistry that 2pac embodied. end of story, the changes to this track represent cowardice and envy, and what could have been the best song on the album was fundamentally watered down into a tame and rather forgettable track. kudos, outlawz.
i'll qualify this post by stating that it contains information that i have learned from a variety of places, and i'm not simply acting as a mouthpiece for candyman. i'm not a pawn and i want the truth to be known about what went down. now, let's hope that candyman gets his rightful royalties since they so errantly forgot to remove his adlib layer from the retail version back when someone was butchering an otherwise perfect song.
ah what a crazy time it has been and continues to be as it pertains to the filtering of 2pac's music.

In his post and dl it says "And 2Morrow OG"...isn't that as opposed to the watered-down, removed Pac scratches version?Dante said:so as it pertains to this track, this version that is posted in this thread is indeed the version that was submitted and approved for retail release.
MarvelouZ said:hehe never thought it was edi eating like a pig big phat sandwich lol
lol @ leaving candyman adlibs on there
hopefully we will get to hear Storm one day ...
nice info :thumb:
it's not actually him, but close enoughMarvelouZ said:hehe never thought it was edi eating like a pig big phat sandwich lol

i gotta check it out then for sure :trhumb:Thug Lifestyle said:Storm is on Candyman's solo album
Dante said:it's not actually him, but close enough![]()

Dante said:this track right here represents everything that is destroying 2pac's legacy...
ask yourself who has creative control of amaru endorsed retail projects? for those who didn't know, it's none other than my avatar, big malk aka edi. likewise, the outlawz have continually dismissed candyman and even storm as illegit or otherwise not down for pac's [new] music. well, as many of you relaized this year, storm never left "to start a family" or whatever reasons that were perpetrated by the outlawz throughout the years as justification for her removal and lack of new verses on remixed songs. likewise, the outlawz have major beef with candyman and refuse to work with the man. for fans who question candyman's legitimacy, his work and touring with shock g (arguably the main man who is standing up to try to preserve the legacy as pac wanted it), digital underground, ms. fula, and storm should fulfill whatever resume that would qualify him as someone worthy of respect.
so as it pertains to this track, this version that is posted in this thread is indeed the version that was submitted and approved for retail release. just like the editing on uteot, shock and candyman were not notified of changes to their work, and subsequently candyman and the 2pac scratches (which are incredibly dope) were removed for the retail release version. this is all over petty beef and the feelings of inadequacy by those in control (see above) and the fear that someone else (candyman) will be stepping up to represent the principles and artistry that 2pac embodied. end of story, the changes to this track represent cowardice and envy, and what could have been the best song on the album was fundamentally watered down into a tame and rather forgettable track. kudos, outlawz.
i'll qualify this post by stating that it contains information that i have learned from a variety of places, and i'm not simply acting as a mouthpiece for candyman. i'm not a pawn and i want the truth to be known about what went down. now, let's hope that candyman gets his rightful royalties since they so errantly forgot to remove his adlib layer from the retail version back when someone was butchering an otherwise perfect song.
ah what a crazy time it has been and continues to be as it pertains to the filtering of 2pac's music.
Dante said:it's not actually him, but close enough![]()