they should hook up with P.E. too

[BlacPain]

hello

i just heard the mixtape and sometimes it reminds me on some P.E. songs.

you know his background is political like pac's is and so it would really nice when P.E. would spit some verses for our dead outlawz. i think them down with it - just holla at them. :thumb:

 

[Butt Rubber]

who is P.E.? you're not talking about Public Enemy, are you? if so, Public Enemy was more than one person


and I think (although I'm not sure) the Kadafi albums are only being made by people within the Outlawz/Thug Life/2pac camp and Kadafi's estate

 

[BlacPain]

yea you are right im talking about Public Enemy (Chuck D., Flavor Flav, Terminator X, Professor Griff).

but i still think P.E. could spit some verses or a poem (like an intro or something like dat not to outshine the artist kadafi) for our fallen souljahs. the idea came through my mind when i heard all this flicks of samples and intros and it reminds me a bit on old P.E. songs.

dont you think it would be a nice idea? since P.E. was and is always true and political too? maybe im completly wrong and if im disrespect any person with my idea im sorry for that.

Public Enemy rewrote the rules of hip-hop, becoming the most influential and controversial rap group last century and, for many, the definitive rap group of all time. Selling millions of records along the way, and building from Run-D.M.C.'s street-oriented beats and Boogie Down Productions' proto-gangsta rhyming, Public Enemy pioneered a variation of hardcore rap that was musically and politically revolutionary.
With his powerful, authoritative baritone, lead rapper Chuck D rhymed about all kinds of social problems, particularly those plaguing the black community, often condoning revolutionary tactics and social activism. In the process, he directed hip-hop toward an explicitly self-aware, pro-black consciousness that became the culture's signature throughout the early 90’s.

Musically, Public Enemy were just as revolutionary, as their production team, the Bomb Squad, created dense soundscapes that relied on avant-garde cut-and-paste techniques, unrecognizable samples, piercing sirens, relentless beats, and deep funk. It was chaotic and invigorating music, made all the more intoxicating by Chuck D's forceful vocals and the absurdist raps of his comic foil Flavor Flav. With his comic sunglasses and an oversized clock hanging from his neck, Flav became the group's visual focal point, but he never obscured the music.