if you could be in the studio with 2pac

people here automatically assume that because the song was deep, there was an extra special mood in the studio. for all you know, the deepest tupac song could have been recorded while pac was in the studio saying nada and everybody was kinda bored lol. good song does not mean super-special studio-session although spending time watching pac work in the studio on whatever song would be tight i guess.
 
Rizzle said:
people here automatically assume that because the song was deep, there was an extra special mood in the studio. for all you know, the deepest tupac song could have been recorded while pac was in the studio saying nada and everybody was kinda bored lol.

whaaaaat
a song could definatly change the mood of the studio are you insane? when he recorded Hit Em Up, wont you think everyone would be bouncin around throwin up Westside signs and fuckin around?
when he recorded "hold ya head", dont you think everyone in the studio would be moved by the power of words?
so YES, if the song is deep there IS a difference of atmosphere and it has the potential to change a persons current emotion.
thats pretty much THE POINT of music
you can never be a great producer if you cant understand that
why do you think dre left deathrow?
cuz he said that the ATMOSPHERE wasnt right when he was creating therefore he couldnt create.
 
Ghetto_Ghost said:
i'd probably want to be there for Ghost
and i'd also tell him, "hey pac, you're going to get shot in '96...look out for that"

rofl, reminds me of those mini flash back scenes in Family Guy.

On another note, I reckon I would of liked to have been around for AEOM.
 
I think Young Niggaz would of been good to hear him record live.
Then theres the obivous ones like Dear Mama, Life Goes On and Starin.
Then theres less obivous ones like This Aint Livin, Runnin (or any Big n Pac track), Last Words (Pac, Ice Cube and Ice T all together, DAMN!), Pour Out a Little Liquor or something like Teardrops and Closed Caskets.
 
Ghetto_Ghost said:
whaaaaat
a song could definatly change the mood of the studio are you insane? when he recorded Hit Em Up, wont you think everyone would be bouncin around throwin up Westside signs and fuckin around?
when he recorded "hold ya head", dont you think everyone in the studio would be moved by the power of words?
so YES, if the song is deep there IS a difference of atmosphere and it has the potential to change a persons current emotion.
thats pretty much THE POINT of music
you can never be a great producer if you cant understand that
why do you think dre left deathrow?
cuz he said that the ATMOSPHERE wasnt right when he was creating therefore he couldnt create.
i didn't say that when a deep song was recorded there wasn't a special mood in the studio, i'm just saying that there wasn't neccesarily a special mood in the studio. it could be just like any other day in the studio. but then i was quick to admit that watching tupac record any song in the studio would be special. you misunderstood.

dre left death row because it was getting out of hand. as much as dre likes to talk gangsta shit, it's a gimmick. he's not a gangsta. death row was becoming gangsta and he didn't want to be a part of it. fuck that "atmosphere" shit, that's something you tell the reporters lol.

btw. i believe he said vibe, not atmosphere.
 

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