Dante said:i have enough to last me a lifetime anyway
Me too. Thanks for the free tracks you sent last night. :horny: :horny:
Dante said:i have enough to last me a lifetime anyway
Dante said:i have enough to last me a lifetime anyway
i'd like to see the true sources for this news. knowing that amaru would get first crack to attain full ownership first, this whole auction business is nonsense. plus, the material is worth muuuuuuch more than 107 million. the auction of it would reduce death row to zero power, and defeat the logical judgement of giving her sole control and rights to the music.
Dante said:^^ death row is about so much more than pac. chronic and doggystyle go platinum every year, and there's a lot of money there being that it's all indie.
Rizla said:A quick NOTE to everyone who posted to say Deathrow is not worth over $100 Million. It is worth that and much more.
Let me explain. Why do you think The beatles music is worth so much and Micheal Jackson owns it? The reason is the simplest. Everytime someone wants to use that music, they pay MJ. They wanna copy a verse? MJ gets paid. Radio play? MJ gets paid. ( I suspect this applies to Video on MTV too).
No imagine Deathrow.
Doggystyle
Chronic
Makaveli
All Eyes on Me....etc.
Deathrow also sells a number of albums each year. They get PAID....
Dr Dre will buy all the old dre stuff.
Snoop will buy his and so forth.
if the ebatles music is worth $100million+, i reckon to buy into 2pacs music your looking at atleast $20 million+.
Dante said:^^ couple points you missed....
chronic and doggystyle sell platinum yearly without marketing gimmicks. they're just essential hip hop albums that are picked up as additional copies or by kids just getting into hip hop and realizing how critical these are to have. they will sell on their own merit.
now as death row relates to this beatles discussion, there's a major point that has been overlooked. death row is an independent label. suge owns 100% of his publishing, and that means that for every album sold, minus recoup costs (minimal since he owns studio and pr) and distribution (interscope / koch / eagle), alllll of the rest goes into his pockets. ownership of the beatles catalogue is somewhat spread out, but the point here is that whoever is granted rights to death row's material, it's more valuable than standard points on a record simply because for a $15 cd they probably pull in $9, as opposed to most industry standards of less than a dollar. this is very significant.
after reading some other articles on the subject, it's true that this was just a proposition - and likely one by someone who fails to realize how much money death row is truely worth. likewise, it could be a scare tactic to rattle suge up a bit. either way, some random idiot will not get the material - of that i am sure.
the method would be not picking individual tracks so much as offering a lump grouping of tracks as one auctioned good. it's analagous to when someone doesn't pay their taxes and the irs seizes their prinary asset (usually a house) and auctions it off to meet the owed dollar amount. of course with suge there are so many complications pertaining to dual ownership with relation so pac's music that even if by some crazy turn of events jay-z won all of the tracks he wouldn't be able to release them at will. amaru's judgement in 1998 was a huge one - it explicitly specifies that death row materials must be approved by and the revenue gained from split with amaru. whoever takes on the material still has the same set of rules in place that limited what projects suge could pursue.cookies said:how many tracks are likely to be auctioned? how much material does deathrow even have?
Dante said:the method would be not picking individual tracks so much as offering a lump grouping of tracks as one auctioned good. it's analagous to when someone doesn't pay their taxes and the irs seizes their prinary asset (usually a house) and auctions it off to meet the owed dollar amount. of course with suge there are so many complications pertaining to dual ownership with relation so pac's music that even if by some crazy turn of events jay-z won all of the tracks he wouldn't be able to release them at will. amaru's judgement in 1998 was a huge one - it explicitly specifies that death row materials must be approved by and the revenue gained from split with amaru. whoever takes on the material still has the same set of rules in place that limited what projects suge could pursue.
...think about it. what has death row done? three 2pac albums since his passing nearly 10 years ago. nu-mixx was just a remix album of already classic tracks, 2pac live (the grey one) was bootlegged by koch after death row dragged their feet on it, and 2pac at the house of blues was only able to be released free and clear of amaru's consent because it was a live show fully funded by suge in every way possible. studio recordings are completely different, and therefore would be next to impossible to release without hitch from amaru.
so what does death row have? well in 1996 they had everything, including tracks pac brought with him from pre-death row. in 2006 do they still have it all? nope. fans often picture a secured vault with a guard watching over it, locked to everyone but suge and maybe kenner. the sad reality is that death row's inventory is in such mad disarray that studio dats and reels are unlocked, and even unlabeled. ever wonder why the clean hit em up version was used on nu-mixx? yeah, the explicit version is lost. match that sad fact with the truth that daz and the realest dubbed several hundred pac songs and the fact that a lot of people at death row felt cheated or treated unfairly, and therefore stole things from it to even the score, and now you have complete chaos. if only you guys knew how a lot of the death row material leaked out... it would blow your mind.